Monday, October 19, 2015

To Find Our Long-Forgotten Theme

Music has always been one of the most pivotal elements of the Middle-earth universe, both in the books and the movies. Ever since the first chapter of The Hobbit, songs have been frequently used as storytelling devices to set tone, to give exposition, and even to develop many of the characters and cultures in Tolkien's tales. What's interesting about their use in the books, as Tolkien points out in his lead-in to the very first song, is that they have no actual music to accompany them in that medium. This of course leaves the door wide open for how readers can choose to hear them and has led to several different interpretations in various adaptations.

One of the best renditions of any Tolkien song is probably the song "Far Over The Misty Mountains Cold" as it's performed in An Unexpected Journey, the first of the three Peter Jackson Hobbit movies.

The song is an account of how the singers, a company of thirteen dwarves, lost their mountain home of Erebor and all of the treasure inside of it to the dragon Smaug and how they intend to reclaim it from him. Only two of Tolkien's verses are sung in the film, but the melody composed for that version is present all throughout An Unexpected Journey as something of a theme for both the company and their quest. Even the movie's end-credit song "The Song Of The Lonely Mountain" is built around the tune of it. It's about as perfect as movie themes come, being flexible enough for just about any emotional context while always creating atmosphere and hearkening back to the source material, and it's one of the most memorable pieces from the first film's soundtrack.

So why don't we hear it anywhere in the second or third film?

It's not as if the story changes in those installments. The main plot still revolves around the dwarves and their quest, so "Far Over The Misty Mountains Cold" would still be a fitting theme to use. No official explanation has ever been given for its disappearance from the trilogy, at least none that I've ever found, and this has created almost an air of mystery around the piece for fans. Seeing how the Extended Edition of An Unexpected Journey recently made its debut in theaters, this is perhaps a good time to explore this issue again and try to draw a conclusion.

To begin, "Far Over The Misty Mountains Cold" isn't the only theme associated with the dwarves and their quest. There's also Erebor's theme, which is played in all three films. It's played at all of the appropriate times too, such as whenever the dwarves see the mountain in the distance and when they enter it. These have all been times that fans have cited as good moments to play the "Far Over The Misty Mountains Cold" theme instead. This leads to the belief that Tolkien's song was never meant to be the theme for the dwarves or the quest in the movies, which then raises the questions of what its real purpose was and what became of that purpose after the first film.

Looking at the context of the song's initial performance, we see the dwarves singing it together in the home of Bilbo Baggins, the story's main protagonist, while Bilbo eavesdrops on them from another room. This is the last that Bilbo hears of the dwarves before waking the next morning to find them gone and deciding to join their quest, which at the time was being described to him as "an adventure." An Unexpected Journey is by far the most lighthearted of the three Hobbit films, so it's possible that "Far Over The Misty Mountains Cold" is being used to convey the excitement and fun of the quest from Bilbo's point of view before things grow more serious in the next installment. 

It should also be pointed out that "Far Over The Misty Mountains Cold" is not the only theme to disappear from the Hobbit trilogy after the first film. The theme for the wizard Radagast is also absent from the other two soundtracks, despite his presence in all three movies. This is perhaps because his theme was meant to reflect his eccentric and whimsical nature, which is subdued in the sequels as the tone of the story grows darker. This theme disappearing at the same time as "Far Over The Misty Mountains Cold" could just be a coincidence, but the above logic seems to suggest a pattern of the soundtrack letting go of the story's more innocent ideas as things progress.

If that is the reason though, then why isn't the "Far Over The Misty Mountains Cold" theme replayed at a later point in the trilogy to remind viewers of those better times? The theme for the Shire where Bilbo lives, for instance, is played in all three films for that exact reason. In addition to providing  emotional throwbacks like that, the act of reprising old themes in later soundtracks is a good way to unify the music of an entire film series. Dropping a major theme one third of the way through a trilogy can feel unbalanced to a lot of listeners, as this trilogy has proven.

Another explanation could be that the Hobbit movies were doing something similar to the Lord of the Rings movies, where the tune of the song "Into The West" was only incorporated into the soundtrack of The Return of the King, the film that featured that song in its end credits. This presumably was done to give that movie a more distinct soundtrack and to foreshadow events that are described in the lyrics of "Into The West." This could perhaps be the case with "Far Over The Misty Mountains Cold," seeing how the song is actually called "Misty Mountains" on the soundtrack for An Unexpected Journey and the film ends with the characters entering and then leaving those mountains.

However, giving it the title "Misty Mountains" is an inaccuracy. The song was only called "Far Over The Misty Mountains Cold" originally because that's the first line in its lyrics. The song isn't really about the Misty Mountains; it's about the Lonely Mountain of Erebor. The fact that the end-credit song built around its melody is called "The Song Of The Lonely Mountain" only drives that point in deeper.

Furthermore, the tune of "Into The West" isn't introduced until the third and final Lord of the Rings film, so its use in only one film works fine in that trilogy. The filmmakers didn't introduce it and then exclude it from any sequels. Even if they did do that, "Into The West" is used sparingly throughout The Return of the King's soundtrack and isn't associated with any particular characters the way that "Far Over The Misty Mountains Cold" is, so its disappearance might not have been noticed had it dropped from The Lord of the Rings before the third installment.

A third possibility for the disappearance of "Far Over The Misty Mountains Cold," and probably a more realistic one, is that time may have been simply working against Howard Shore while he was composing the soundtracks for the Hobbit film trilogy.

It may be news to some people that the song's melody in the Hobbit movies wasn't actually composed by Shore. It was composed by Plan 9, a company in New Zealand that creates music for film and TV. Having helped with the soundtracks for many of Peter Jackson's other films, including The Lord of the Rings, Plan 9 was approached to write a tune for the song that the dwarves sing in Bilbo's house. Long story short, Howard Shore loved what they came up with so much that he worked its melody into the score that he had written.

What isn't news to people is that the Hobbit trilogy had a very problematic production from the start. The temporary change in director, constant pressure from the new studio, and the evolution from two movies to three partway through shooting made things so difficult for the filmmakers that it really is a miracle that the films turned out as good as they did. Is it possible that in the midst of all of these setbacks, demands, and deadlines, Shore simply didn't have time to work the "Far Over The Misty Mountains Cold" theme into the later soundtracks?

The Desolation of Smaug and The Battle of the Five Armies would have been far more affected than An Unexpected Journey by the change from two films to three, and sources say that Shore wasn't even available to conduct the orchestra himself for the recording of Desolation's soundtrack. It could be that in the rush to finish the music that was absolutely needed for those later films, he had to sacrifice the luxury of later additions and revisions.

Looking at all of the above mentioned reasons, it's likely that every one of them played some part in the disappearance of "Far Over The Misty Mountains Cold." Maybe when his workload suddenly increased from two to three soundtracks, Shore decided to limit the theme to the first movie for the other discussed reasons and it just never occurred to him that people might miss it later.

Things may have turned out very differently had the production of the trilogy gone smoother, but that's not at all to say that the music replacing that theme in the later installments is bad. Howard Shore, Peter Jackson, and everyone involved in the Hobbit movies did the best job that they could with a much less favorable situation than they had with The Lord of the Rings, and they should be admired for that. The fact that Shore put "Far Over The Misty Mountains Cold" in his score at all when he didn't have to shows that his heart was in the right place.

Perhaps in hindsight, we can look on that theme's use just in An Unexpected Journey not as a loss, but as a musical equivalent of the Arkenstone in Erebor's treasure hoard; as a rare gem that should be remembered fondly but not obsessed over.

Wednesday, October 14, 2015

"The Battle of the Five Armies" Extended Edition - Early Review

I've finally seen it.

After ten months of blogging theories and a few days of trying to find a construction-free route to the one theater in town that was showing it, I've finally seen the Extended Edition of The Hobbit: The Battle of the Five Armies.

I should backtrack a little though to talk about this event as a whole. Just as they did with the Lord of the Rings trilogy in June of 2011, the company Fathom Events recently hosted a one-time-only, three-night screening of the Extended Editions of the Hobbit film trilogy in select theaters across the country. Fans like myself naturally flocked to cinemas to see the Extended Editions of the first two films last week, and both were highly entertaining experiences. However, this week's screening of the never-before-seen third Extended Edition was the star attraction of this event.

This was apparent not only from the much larger turnout in the audience, but also from the much more visual presentation of Peter Jackson's pre-movie introduction. Instead of showing one simple shot of the director talking to the camera like the first two Extended Editions did, the third one's intro featured music and clips from all three movies along with a full-screen graphic at the end. This extra bravado for the third Extended Edition makes sense, seeing how underwhelmed so many people were by the theatrical cut, and I for one was very excited for the movie to start after Mr. Jackson was done giving his thank-you's.

With that said, and with the promise not to give away much, what did I think of the Extended Edition of The Battle of the Five Armies?

To begin, there's only about 20 minutes of bonus footage added, not 30 minutes as was originally planned, and the bulk of it is more battle scenes. There are some scenes added before the battle, including a simple but poignant one that fans have been hoping to see since almost last December, but expect a first half that's very similar to the theatrical cut. There's also a bit more wrap-up after the fighting is over, though most of the minor storylines still don't get the closure that a lot of people probably wanted for them.

On a more praising note, there's actually quite a lot of humor throughout the bonus footage. Some of it is just goofy slapstick and sight gags, but the jokes involving the main characters give this version of the film something that was sorely missing from the other: a sense of fun.

Bilbo may be the heart of this story, but in the movies, the dwarves are the soul of it. They're the key to what made Bilbo and the audience come to enjoy this whole adventure in the first place, and having their presence diminished so much in the theatrical cut of The Battle of the Five Armies sapped nearly all of the enthusiasm out of it and left us with a terribly bleak final act of the Hobbit trilogy. Thankfully, the dwarves get way more screentime during the battle and we get more of their action antics like those in the first two films. Fans of Bifur, Bofur, and Bombur are especially going to walk away happy from this movie.

For anyone concerned about the Extended Edition's R rating, don't worry. I can point the finger for that at exactly two shots, and what happens in them is mostly aimed to draw cheers and laughter from the audience. What that says about our modern-day senses of humor is probably more disturbing than the actual onscreen content.

There's really only one deleted scene that I lamented not making it into the Extended Edition, since it likely would have been a major character development moment and was sort of a centerpiece of the film's original trailer, but ultimately, I do understand why it was cut. There's also a scene added in that I've thoroughly spoken against in a previous blog entry, although the way that it unfolds is just so ludicrous and yet poetically fitting that another part of me couldn't help liking it.

And since it's been almost a year since I wrote my "There's Something About Ori" essay, I might as well mention that the little dwarf scribe photobombs Bilbo twice in one bonus scene. It's not the journal scene that I was hoping to get, but I'll still call it a victory.

In short, the Extended Edition of The Hobbit: The Battle of the Five Armies is worth the wait. I wish we had gotten this version in theaters instead last year, and given its 164-minute run time, it feels more like a theatrical cut anyway. Like I said back in December, hardcore fans are probably going to look back on this movie and all five of its predecessors as films that were preceded by condensed editions rather than followed by Extended Editions.

But in the end, I'm grateful that the filmmakers of the six Middle-earth movies cared enough about their fans to give us two versions of each to choose from. We're a very lucky bunch, if you do believe in luck.

Tuesday, October 6, 2015

"The Last Creator - Part 1" Now Available

Here it is! My novel "The Last Creator - Part 1" is now available on Kindle for $2.99.

The Last Creator - Part 1 by Katelyn Rushe

Amber Brenin is as new to the world as a twelve-year-old can be. Life in a care center for autistic children such as herself allows her very little interaction with other people, including her geologist father Robert. When an upcoming expedition threatens to separate them for months, Robert smuggles his daughter along on the trip, only to lose her when he finds the thing that he's looking for.

Now Amber is stranded on Rökshena, a world far away from Earth where no one knows how to communicate with her or understands her condition. As she begins to cope with her strange surroundings and stranger allies, a chain of mysterious disasters strikes that could doom all life on Rökshena. Questions mount as Amber attempts to uncover the cause of these events while also discovering herself—and most importantly, finding her place in her new world.