A Tale of Two Lokis

With the premiere of Marvel's "Loki" series less than a week away, I think it's time for me to finally dust off my book of speculations on the God of Mischief. I'm not familiar enough with the comics to weigh in on anything involving the Time Variance Authority, Mobius M. Mobius, or anything else from the source material that will appear in the series, but I have seen Avengers: Infinity War more times than I can count, and I still have a lot of unanswered questions about Loki's role in that film. As a writer myself, I see the "Loki" series as a prime opportunity for Marvel to finally answer those questions.

To recap, Infinity War begins with the villain Thanos slaughtering half of Thor and Loki's people in an attempt to steal the Space Stone for his Infinity Gauntlet. He almost gets Loki to hand over the Tesseract containing the stone when the Hulk intervenes, and Loki tackles his brother Thor out of the way to make room for the ensuing fight. We don't see Loki onscreen again until well after Thanos wins that fight, then the God of Mischief attempts to "join" Thanos and kill him while his foe's guard is supposedly down. This sadly fails, resulting in what appears to be Loki's death.

I've discussed this scene numerous times on my blog, and I've only grown more suspicious of it over the years. The lack of cutaway shots to Loki throughout the Hulk's fight with Thanos, the way Loki seems to emerge out of nowhere with a totally different demeanor after the fight, his extremely telegraphed and underwhelming attempt to kill Thanos -- it all adds up to a scene that simply doesn't add up at face value. I used to think that Loki faked his death, and that he'd spent his few minutes offscreen during the fight putting together some elaborate scheme that the filmmakers deliberately weren't showing us. Now that I've seen Avengers: Endgame and the trailers for the "Loki" series, I have a new theory: 

The Loki who tackles Thor out of the Hulk's way and the Loki who tries to kill Thanos are not the same Loki. The Loki who tries to kill Thanos is actually the alternate timeline Loki who will star in the "Loki" series.

Another quick recap: The Loki we see in Endgame is technically not the original Loki. He's an alternate version of Loki that the Avengers encounter while traveling back in time to the events of the first movie. Thanks to a snafu, that Loki manages to steal the Tesseract from our time-hopping heroes and teleport away, effectively creating a new parallel timeline to the one we saw in the movies. 

This new timeline will be the focus of the "Loki" series. What's more, the previews for the series suggest that this "New Loki" is going to do a lot of his own time-hopping on behalf of a possibly shady organization called the Time Variance Authority, or TVA. I say "possibly shady" because the purpose of Loki's time travel mission seems to be to alter key historical events that will drastically change the present. Knowing Loki though, it could instead turn out that the TVA means well and the God of Mischief just decides to deviate from his mission and change history for his own personal gain. That is why we love him, after all.

Bottom line, my theory is that New Loki will eventually realize that his meddling has caused some catastrophic ripple effect across multiple worlds, maybe even across the whole universe, and his conscience will finally get the better of him. His efforts to undo the damage he's caused could even be what the entire second half of the series focuses on. After several attempts to make things right again, New Loki will realize that the ripple effect has grown beyond his ability to repair it, and he'll then realize a solution: to convince the original Loki, who perhaps has more knowledge and wisdom due to his different life experiences, to take over the mission while New Loki ends his own alternate timeline.

In my opinion, Loki's scene in Infinity War will make so much more sense with this context. We don't see Loki during the Hulk's fight with Thanos because New Loki appeared and pulled him aside to brief him on another cosmic crisis, and the reason the Loki we see afterwards fails to kill Thanos is because he intends to fail. Because that Loki is New Loki who knows he needs to die in order to restore balance to the space-time continuum and cover the tracks of the original Loki who's leaving to resume the mission. This way, the fans who thought Loki died in Infinity War and the fans who didn't will both be right.

The series could even do something really heartfelt with this twist, having Loki reflect on his whole character arc by having a heart-to-heart with another version of himself. New Loki (who hasn't seen Thor since their fight in the first Avengers film) could see from the original Loki that he always had the capacity to make peace with his brother and his enemies on Earth, and the original Loki could see from New Loki that he's right to keep moving away from his old selfish ambitions and that he has the power to make a difference in the universe. There could even be a clever little payoff where New Loki tells the original Loki about some sort of MacGuffin from earlier in the series that will benefit the original Loki in some way. There's apparently going to be a scene in the series where we learn that the famous missing criminal D.B. Cooper was actually New Loki in disguise; perhaps telling his original self the location of a certain bag full of money would be a nice way to thank him for taking over the mission?

This is all just speculation of course. For all we know, the "Loki" series could kill this theory in the first five minutes and then conclude with Tom Hiddleston and Owen Wilson ad-libbing in a diner like the end of Pineapple Express. As always though, theories like this are a good way to practice plot and character development when you're involved in the creative field. My guess of where the "Loki" series will go could be way off, but when the time comes to start writing my next novel or fanfiction, I might be just a little better at managing the mischief I've created in my own new universe.

Grima, Son of Alfrid

When it comes to fan speculation about a work of fiction, there are generally two types of ideas that people discuss: fan theories and headcanons. A fan theory of course is an idea about something in the work of fiction that's supported by possible evidence within the story. A headcanon, on the other hand, is an idea with no evidence to support it. It's just something that certain fans choose to believe because they like the idea. I've talked about plenty of fan theories from the Peter Jackson Hobbit films on this blog, but today I want to talk about a headcanon from the series and try to at least clear its path of anything that could contradict it. That headcanon is the idea that the character Alfrid Lickspittle is the father of Grima Wormtongue in the six Middle-earth movies.

To start off, Grima Wormtongue is a character from J.R.R. Tolkien's The Lord of the Rings book trilogy who also appears in the film adaptations. Alfrid Lickspittle is an original character created for the film adaptations of The Hobbit, a prelude to The Lord of the Rings. The two characters have a lot in common, being arrogant, sniveling, and manipulative and even having similar physical appearances. They're so similar that some fans used to speculate that they were the same character, with Alfrid changing his identity in between film trilogies to become Grima. This notion has always seemed unlikely since the two stories take place sixty years apart from each other, so the father and son headcanon seemed like a stronger alternative.

The only problem with the father and son idea (and also with the changing identity idea) is that the third Hobbit film's Extended Edition shows a bonus scene where Alfrid dies instead of making his getaway like in the theatrical cut. This doesn't destroy the father and son headcanon, like I used to think it did, but it certainly limits the possibilities.

The key to everything is Grima's age at the time of The Lord of the Rings. The only source I can find that mentions his year of birth is the website "One Wiki to Rule Them All," which claims that he was born in the year TA 2974. Since The Lord of the Rings takes place in the year TA 3019, this would make him forty-five years old and thus too young to be the son of someone who died sixty years prior. However, these dates are meant to reflect the timeline in Tolkien's books, where Alfrid's character doesn't exist. Whether or not "One Wiki to Rule Them All" is a reliable source, this timeline can be ignored because it doesn't truly relate to the movie-verse.

A source that does relate to the movie-verse, as odd as it sounds, is the Lord of the Rings Top Trumps Card Game. Available in three decks, the game features cards for each character as they're depicted in the Peter Jackson films, and those cards also offer a list of basic information on each character. According to Grima's card, he's fifty-nine years old in the movies.

This may seem like a year too short, but it's still possible that he was conceived before Alfrid's death. It would have to have happened shortly before though, and whether or not Grima's mother knew that she was pregnant, she probably would have wanted to distance herself from Alfrid and the town where he lived soon after the conception. Lowering her standards enough to spend the night with Alfrid could easily drive a woman to skip town like that. It's possible then that she traveled south in the following nine months and gave birth to Grima in the kingdom of Rohan, where we see him living as an adult. It could be that Grima hadn't quite reached his sixtieth birthday by the time of The Lord of the Rings, which could very well make him Alfrid's son in the timeline of the movies.

Like "One Wiki to Rule Them All" though, it's debatable how reliable of a source the Top Trumps card game is. And of course, it doesn't prove that Alfrid and Grima are related. It only leaves the possibility of that idea open. This is all that headcanons need though, and since that headcanon does the service of further tying together two trilogies and making the similarities between two characters feel less contrived, I still think it's worth considering.

Theories on 1 - Part Two

> This Article Contains SPOILERS. <

1 Wears a Nazi Flag and a Death Mask

Clothes make the man, and in 1's case, this is probably a bad thing. Because of his lofty status at the start of the film, he wears a very king-like hat and cape in his first few scenes. He's presumably worn this outfit for most of his time as the group's leader, so it's fitting that he loses this attire piece by piece as his leadership fails over the course of the plot. There's symbolism to be found in his garments, and since 1 is quite the poetic type, he may have subconsciously chosen to wear them because of that symbolism.

Let's start with 1's cape. Its tattered edges imply that it was scavenged from the ruins rather than made for him, and it has a very distinct red color. The only other pieces of cloth that color in the film are the red flags with black and white symbols that we see strewn across the city where it takes place. These flags are later shown to have been the banners of a fascist dictator called the Chancellor, the man who first ordered the Scientist to create the Fabrication Machine and then corrupted it. In short, 1 might just be wearing what amounts to a Nazi flag.

It's been suggested in foreign dubs of the film that the Scientist modeled each stitchpunk after someone that he knew in life—with 1 being modeled after the Chancellor. Why he would model one of his creations after the man who caused the machines to turn against humanity is unclear, but since bringing the stitchpunks to life involved transferring a piece of his own soul into their bodies, the Scientist may have inadvertently given his memories of the Chancellor to 1. It's possible that 1 then "recalled" these memories, liked some of the Chancellor's ideas, and decided to govern his own people in a similar fashion.

Wearing a piece of the Chancellor's flag, a symbol of power, could be 1's way of embracing his newfound ideology and giving himself the confidence that he needs to rule his group singlehandedly. It's easy to imagine how this could corrupt his noble intentions over the years. This could also explain why he's so reluctant to remove his cape when one of the machines tries to snare him by it. He isn't just letting go of an accessory or a status symbol, he's letting go of the assurance that his way of managing things still works.

Next, there's 1 hat. This garment's most notable feature is the copper one-cent coin that he has fastened to it. The first thought is that 1 wears this coin on his head because it happens to have his name embossed on one side of it. This may be true, but later in the film, that same coin is used to cover the face of a dead stitchpunk during a funeral. This suggests that the stitchpunks have some sort of belief about the afterlife and that they associate coins with death. Whether or not 1 shares these views, he could be wearing one of those death symbols as a way to intimidate the other characters into following his rule. He's reminding them without words that death is always nearby and that he alone has control over it.

Much like his cape though, this decoration seems to delude the leader in a very unfortunate way. By wearing a symbol of death on his hat, 1 literally has death hanging over his head all the time. That's not a good position for someone as insecure as 1 to be in. It may have fed his fear of the machines to the point that he became paranoid, which then pushed him to more drastic methods of keeping the stitchpunks in line. Other factors played larger roles in this of course, such as three of the stitchpunks deserting the cathedral and another one becoming more and more curious about the outside world, but that lingering dread in the back of 1's mind from his coin could have sent him on a subtle but steady decline over the years.

The fact that he doesn't start to find his courage until after the coin falls from his hat further supports that the copper piece represents death. By losing that symbol, his fear of death probably becomes more abstract and somewhat easier to live with. Again, other factors play larger roles in 1's transformation after this point, but the loss of his morbid token and its false sense of power could have forced him to finally stand tall on his own.

I think what makes 1 so interesting to 9 fans is that we know he's one of the good guys. No matter how objectionable his behavior is, he's still acting in what he believes to be the group's best interest. The challenge then is to figure out his logic from the clues around us, which is very fitting in a movie about searching for the truth. We want to understand and like 1 because at the end of the day, we all know that the calloused cermudgeon has a soul inside.

Theories on 1 - Part One

> This Article Contains SPOILERS. <

Directed by Shane Acker, the movie 9 is an animated film about nine rag dolls trying to live in a post-apocalyptic world overrun by machines that have wiped out humanity. These rag dolls, known as stitchpunks, come to learn that they and the machines were both created by a man called the Scientist, and that their purpose is to defeat the machines and restore the Earth. The film has developed a cult following since its release in 2009, largely because it lends itself to a lot of discussion and fan theories. Today, in honor of 9's recent seventh birthday, I want to offer two fan theories about the character named "1."

All nine stitchpunks are named after the numerical order of their creation. The newcomer and protagonist is named 9 while the oldest stitchpunk who leads the group is named 1. 1 is by far the most complex character in the story, being both an arrogant coward and a tragic, failing protector. You can spend days analyzing him and come up with dozens of theories about his backstory and motivations. With that said, let's explore the first of today's two.

1 Has a Soft Spot for 6

1's main goal throughout the movie is to keep the stitchpunks safely hidden away from the machines that roam the outside world. The character 6's main goal is to direct the stitchpunks out into that world to find "the Source," their place of origin that holds the secrets of their creation. Because of this, it stands to reason that 1 would see 6 as a nuisance and resent him. However, there's actually evidence to suggest that deep beneath his cold, crabby exterior, 1 may have a hint of compassion for the eccentric little visionary.

For starters, 1 never seems to get angry at 6 for telling the others to go find the Source. He only ever gets angry at the others for taking 6's advice. This is likely because the others usually don't know what 6 is talking about when he refers to "the Source," which makes his urgings a less direct threat to their safety. It's also likely that 1 knows better than to blame the striped stitchpunk, as 6 is very childlike and detached from his surroundings. Still, scaring him into "better" behavior wouldn't be impossible. We see 6 recoil in fear from 1's brutish bodyguard 8 on one occasion, and he knows to run away from all of the machines that attack the group. He's clearly aware enough of others to be reprimanded, yet 1 doesn't resort to that. The film hints that 1 knows the Scientist used alchemy to create the machines and that he's trying to keep it a secret from the other stitchpunks so they don't dabble in "dark science" as well. Maybe he understands what a burden it is to know something that the rest of the group doesn't and sympathizes with 6's reclusiveness.

We also see that 6's room is right next to 1's throne room in the cathedral where the stitchpunks live. This is odd since 1 appears to prefer living apart from the rest of the group and is much tidier than 6. It could be that the leader is keeping him away from the others so 6 can't give them ideas to go exploring outside, but if that's the case, it appears to be all that 1's doing. 6 spends most of his time in his room drawing pictures of the Source to show to people; 1 knows this and knows how problematic it could be, but he never does anything to prevent it. Why not take away all of 6's ink and paper so he can't draw anymore? Perhaps 1 realizes that drawing is 6's favorite pastime and he doesn't want to deprive the artist of that. He almost even seems to encourage it, as we see that he has a large drawing of 6's displayed on the wall of his throne room. It's also possible that he keeps 6 close to him so the impressionable youngster doesn't get any bad ideas in turn from the other stitchpunks.

Most telling of all, it's right after 6's death that 1 finally takes charge in destroying the movie's main villain, the Fabrication Machine. Up until this point, we either saw 1 running and hiding or following someone else's lead in fighting the machines—and often being a detriment because of his cowardice. When the Fabrication Machine kills 6 though, the elder decides for himself that action must be taken against the metal monster.

Granted, he's dismissing the artist's dying plea not to destroy the Fabrication Machine even though 6 claims that the souls of the dead stitchpunks are inside of it and need to be released. It can also be argued that 1 wants to destroy the machine more to save himself than to avenge 6, but compare his reaction to the youngster's death with his reaction to the character 5's death right before it. The Fabrication Machine kills 5 at a time when 1 is reeling with shame over his failure as a leader, and when he's given a chance to help the others destroy the villain afterwards by making a bridge collapse under it, he does nothing. 6 is then lost while intervening, and 1 responds by forming his own plan to destroy the machine. 5's death didn't push him to become braver, but 6's did.

As for ignoring 6's plea to spare the Fabrication Machine and release the souls from it, 1 might think that 6 is just following instructions left by the Scientist. 1 despises the Scientist for using dark science to create the machines, and he probably blames the man for 6's obsession with the Source. When that obsession leads 6 to his death, it's possible that 1 rejects this plan involving the Scientist's agenda as a way to get revenge on his creator as well as on the Fabrication Machine.

PART TWO coming soon