Was Bofur Left in Laketown On Purpose?

I've said before on this blog that the fun of watching a story play out over multiple installments is that it gets the creative wheels in your head turning. You would think that a film series like The Hobbit, which is based on one of the most thoroughly mapped out legendariums in literary history, wouldn't allow much room for fan theories, but through the power of book-to-screen adaptation, a lot of things have changed in the tale and a lot of questions have been raised about them. One such change is the screenwriters' decision to have four of the dwarves from Thorin Oakenshield's company stay behind in Laketown in the trilogy's second film, The Desolation of Smaug.

For the sake of this essay, here's a quick run-down of how that scene unfolds. Thorin is in a hurry to leave Laketown so his party can reach the secret door into Erebor by sundown, a deadline that their entire quest hinges on them meeting. Having learned that his nephew Kili is injured, Thorin orders him to stay behind for the time being since he will likely slow their progress. Outraged by this, Kili's brother Fili decides to stay behind with him, and the group's medic Oin decides to stay as well so he can tend to Kili's wound. In the midst of all of this, a fourth dwarf named Bofur wakes up late to discover that the group is leaving without him and he just misses the boat out of Laketown.

The controversy of this change aside, the only leaving-behind of the four that ever felt contrived to me was Bofur's. The reasons for the other three dwarves are fairly well set up and tie in naturally with each other, but in Bofur's case, it just sort of happens. No one has much to say about it, and it seems almost random that it even happens to him at all. We know from a storytelling standpoint why it does; he's one of the more likeable dwarves, and if he's in Laketown when the dragon Smaug attacks it, we'll be more invested. In the context of the movie though, it's a little hard to buy that twelve other dwarves (including his own brother and cousin) would fail to notice his absence from the group.

This leads me to my own personal fan theory about The Desolation of Smaug: that Bofur being left behind in Laketown is supposed to feel contrived because in the context of the movie, it was contrived. My theory is that the other dwarves left him there on purpose.

Why would they do that? The answer, I believe, lies with the person who most likely would have orchestrated the whole plan—Thorin.

Looking at his interactions with Bofur before that, it's easy to come up with a motive for the King Under the Mountain. For starters, Bofur doesn't seem to take Thorin all that seriously as a leader. He follows orders most of the time, even if he's not always thrilled with them, but when there's danger afoot, he makes his own judgement calls without waiting to hear what Thorin thinks.

Take for instance the warg chase from An Unexpected Journey. After the company takes cover from their pursuers in a cave, they discover a tunnel, which Bofur immediately declares they should venture into. The rest of the company obeys this direction without so much as consulting Thorin.

The end result of this is their arrival in Rivendell, where the elves and the White Council try to put a stop to their quest. This is a situation that Thorin's been trying to avoid from the very beginning of the journey, and Bofur more or less led their group into it.

There's another instance of Bofur overstepping his bounds at the beginning of The Desolation of Smaug. Upon learning that their company is in the vicinity of a giant, man-eating bear, he suggests to everyone that they turn around and go back the way they came. This time, however, Thorin dismisses the idea before it's considered.


This seems to show development on Thorin's part. He's aware by now that Bofur has a habit of going over his head and leading the group into troublesome situations, so he's ready to keep it in check. As we see though, Thorin becomes more desperate and obsessed with reaching Erebor the closer their deadline grows, and he becomes quicker to cast aside problematic group members than he is to deal with them. If he's willing to exclude his injured nephew from the home stretch of their journey, he's probably more than willing to exclude an apparent loose canon like Bofur.

Thorin's motive could also pertain to his plan for after he finds the entrance to Erebor. His intention is to send Bilbo into Smaug's lair alone to steal back one key piece of treasure while the dragon is sleeping. The other company members, being dwarves whose smell Smaug will recognize, are supposed to wait outside of the mountain the entire time. If something should go wrong with this plan, there's a very good chance that the hobbit and possibly the dwarves will be killed.

It's no secret to Thorin by the time they reach Laketown that Bofur is attached to Bilbo. He's there when Bofur tries to save their burglar from the cliff on the Misty Mountains, and we see him eavesdropping on the conversation in the cave where Bofur wishes Bilbo "all the luck in the world." Furthermore, he's the person that Bofur asks about Bilbo's whereabouts when the dwarves are captured by elves in Mirkwood.

Thorin has probably also noticed that the insolent dwarf tends to lose his head whenever Mr. Baggins is in danger. Bofur has to be pulled to safety himself at one point during the stone giants' battle while trying to keep Bilbo secured, and when the hobbit almost falls from the cliff, Bofur doesn't just throw himself over the edge to try and grab him. He also commands Ori, the youngest dwarf in the group, to do the same.

Given all of this, it's conceivable that Bofur might charge into Smaug's lair to rescue Bilbo at the first sign of trouble, which could have a disastrous outcome for everyone present. Thorin would never take a chance on something like that happening. It's doubtful that Bofur would obey an order to stay in Laketown, and since having him detained there might make him even less cooperative in the future, Thorin's best option would be to make his leaving-behind appear accidental.

If that is the case, then why would the other dwarves go along with that plan? They all seem to like Bofur, and while they may be anxious to reach the mountain and take back Erebor too, I don't think they're as keen as their leader is to accomplish their goal through deception. The most likely explanation is that Thorin told them it would be for Bofur's own good, for all of the previously mentioned reasons. It may have helped his argument that Bofur appeared to be hungover on the morning that they left Laketown. The other dwarves didn't want their reckless friend/brother/cousin to get hurt or killed, so they agreed not to wake him as they were preparing to leave.

Bilbo seems to have been left out of that conspiracy though, as he's the only person to ask where Bofur is on their way to the boats. It's possible that since he's so close to the dwarf and the others don't know him well enough to predict how he'd feel about such an idea, they decided it was best to just keep the hobbit out of the loop. Either that, or they figured Bilbo had enough to worry about that day as it was.

This leads me to wonder then what the screenwriters' other purpose was for keeping Bofur in Laketown, besides raising the stakes during Smaug's attack. Philippa Boyens has said on numerous occasions that they wanted his character to see that attack so he could come more into his own in The Battle of the Five Armies. That arc didn't make it into the film's final cut, but if it's restored in the Extended Edition, could the above theory play a part in it?

It would be easy enough to work into the plot. Perhaps in the excitement of their reunion, one of the other dwarves (the usually silent Bombur, perhaps?) could let it slip to Bofur that Thorin told them to leave him behind. This combined with their leader's refusal to help the Laketown survivors could cause Bofur to lose what little respect he did have for Thorin, prompting him to actively oppose the new dwarf king. Perhaps then Bofur would become the person that Thorin originally suspects of stealing the Arkenstone, and this mounting tension could lead to the alleged cut scene where Bofur sends Bilbo away from Erebor at night to ensure the hobbit's safety.

Once again though, this is just a fan theory. There's no way to determine whether or not any of this was the filmmakers' intent, but a lack of definitive proof rarely snuffs out speculations like these. Some Tolkien readers have believed ever since the 1970's that Gollum killed Frodo's parents, after all. Not knowing the truth is part of what makes fan theories so enjoyable; it inspires that same spark of imaginative storytelling that can sometimes lead to gems like The Hobbit.

All the same, I still hope very much that when the final Extended Edition comes out, Bofur's secret purpose does get included in the final leg of that journey.

The Genius of Bofur

Whether they’re casual filmgoers, fantasy film lovers, or devout Tolkienites, most people seem to agree that Peter Jackson’s Hobbit movie trilogy is of a lesser quality than his Lord of the Rings trilogy. Reasons for this vary, though one of the most prevalent complaints is that the Hobbit films focus heavily on characters who had minor roles in the novel, weren’t in the novel at all, or weren’t in any work of Tolkien’s whatsoever. While this complaint is understandable, I do want to discuss one such character that has been well received by viewers: Bofur the dwarf.

Bofur obviously falls into the first of the above three categories. A dwarf with his name and same colored clothing is present in the book, but his characterization—that of a witty, fun-loving prankster who’s protective of Bilbo despite constantly teasing him—is not. Although hints of that persona can be read into the original text, particularly in a scene where he trips over a sleeping Bilbo and finds a reason to scold the hobbit for it, the Bofur that we see onscreen is largely a creation of the filmmakers.

 

You would think that being so embellished from his book counterpart would turn fans off to him, but he’s had the opposite effect. The Internet has been swarming with fanart, fanfiction, fanvideos, memes, and cosplay photos proclaiming our love for the dwarf in the silly hat ever since December 2012. We love Bofur so much that we were even disappointed when he didn’t get his seemingly promised character arc in the third film. Really think about that. Fans of The Hobbit, including fans of the novel, were disappointed that a character made almost from scratch for the movies didn’t get more screentime.

So why do we love him so much?

Well, he gets points for technically being a major character who’s supposed to be in the story. Bofur is one of Bilbo’s thirteen main traveling companions from the book, so it makes sense that the movies would want to give him a better-defined personality and more development. He also gets points for being a nice guy, as well as for being funny and optimistic to a degree that isn’t annoying or forced. And yes, being played by a charismatic actor like James Nesbitt also helps. These qualities certainly make Bofur likeable, but I think what really made his character stand out was the way the movies unveiled him.

We probably weren’t expecting the supporting dwarves to be very complex when we first saw An Unexpected Journey. They were barely more than names on a list in the book, and since we had a much bigger main cast and a shorter running time than the Lord of the Rings films, we may have figured that those dwarves would each fall into a standard “token” role. The tough-looking dwarf with the tattoos would be the token muscle, the little dwarf with the slingshot would be the token kid, and that dwarf with the floppy hat and the jaunty accent would be the token comic relief.

There’s nothing inherently wrong with keeping film characters simple when you’ve got so many of them, especially in an adaptation. Leaving any of the dwarves out of the Hobbit films would have likely angered the fanbase, and since Peter Jackson’s team didn’t have much to go off of from the book in terms of their personalities, depicting the less important dwarves as one-note tropes would have been forgivable. The fact stood though that being an oblivious walking punchline didn’t make Bofur terribly engaging in the first two thirds of the film.

And then the cave scene happened.

To this day, I think that the conversation where Bilbo accidentally says the dwarves don’t belong anywhere and Bofur wishes him “all the luck in the world” is one of the most moving and ingenious moments in the whole Hobbit film trilogy, and it wasn’t even written by Tolkien. Not only did it reveal that Bofur actually had feelings to hurt underneath his wisecracks, but it also changed our perspective on a lot of his previous actions towards Bilbo. He wasn’t an insensitive idiot; he was a well-intentioned friend who just liked to poke fun at the hobbit for being so uptight.

That’s why I think we came to love Bofur so much. He caught us by surprise in a really good way, and we were excited to see what he would do next. The Desolation of Smaug and The Battle of the Five Armies may not have given us anything quite as impressive, at least not yet in the latter’s case, but after Bofur got our attention, he stayed interesting enough to keep it.

As superior as the Lord of the Rings movies are considered to be, I do think that the filmmakers learned a lesson from their slapstick portrayal of Gimli. They may have learned that lesson so well, in fact, that they decided to play to our expectations by introducing Bofur as another clown before revealing more of his layers. Granted, there are still a few comedic misfires among the cast of The Hobbit, and the cave scene with Bilbo was actually a later idea shot in pickups, but it’s clear that movie Bofur was always meant to be something new to Peter Jackson’s Middle-Earth. He was meant to be (and is) self-aware comic relief.

How often in movies like this are the funny characters in on their own jokes? Most of the time, it seems like the audience is meant to laugh at them rather than with them. Even with previous three-dimensional comic relief characters like Merry and Pippin, the humor usually came from how foolish or awkward they were, not from how witty they were.

Bofur is a different breed. While he does have a few comical misfortunes, such as hitting his head on the bottom of a table and saying that things “could have been worse” right before the Great Goblin falls on him, the majority of his humor comes from him mocking or making light of serious situations. The character himself has a sense of humor, and he deliberately uses it throughout the films to try and boost his company's moral.

Case in point, the scene in The Desolation of Smaug where he leaves to find Athelas for Kili's poisonous arrow wound. Just before Bofur runs out the door to begin his search, he stops in front of the younger dwarf and orders him not to move, earning a few stares from his other companions. This line might seem obtuse at first, but a moment's thought makes us realize the true spirit behind it. 

Bofur knows full well how dire the situation is. He was the one who told Bard in the first place that Kili was "very sick," after all. He's aware that a dying, violently convulsing person isn't going to wander off while he's gone, but he's making a joke anyway to try and cheer up Kili.

Another case is the scene in An Unexpected Journey where he describes to Bilbo what it’s like to be incinerated by dragon fire. Bofur obviously has no idea what that’s really like, but since Bilbo is taking the threat of it so seriously, the dwarf is trying to play it down and make it sound ridiculous. Some might see this as him trying to scare Bilbo more, since it ends with the hobbit passing out, but remember that it comes after Bofur’s thoughtful reaction to Gandalf saying that there’s more to the hobbit “than appearances suggest.” He’s putting on a goofy act to try and make Bilbo laugh off the danger. 

That’s what makes Bofur’s movie persona so ingenious, in my opinion. He’s a person first and an archetype second, and he knows it in a way. Because of that, he’s versatile enough to carry a completely serious moment just as naturally as a completely funny one, just like a real person who has a sense of humor.

The fact that he carries out those funny moments on purpose makes him all the more endearing, because he’s putting forth a conscious effort to make the events we see onscreen more enjoyable. We almost feel like Bofur, not just the actor and film crew behind his character, is trying to entertain us and get us through things as much as he’s trying to do that for Bilbo and the other dwarves. That makes us feel more like we’re part of the company, rather than a bunch of spectators watching them from a theater. The experience of viewing the Hobbit movies is more immersive because his character is so genuine.

No official word has been given so far on Bofur’s role in the Extended Edition of The Battle of the Five Armies. The only guesses we can make are from hints by screenwriter Philippa Boyens and a couple castmembers about what was meant for him prior to the film’s theatrical release. Whether or not we’ll see him come more into his own or have another conversation with Bilbo this November is unclear, but given his history with the Extended Editions and that thirty minutes will be added to this coming one—and that the filmmakers seem to like him as much as we do—it’s a safe bet that he’ll get his chance to shine one last time.

Was Bilbo a Failure?

I was recently thinking about the third Hobbit movie, The Battle of the Five Armies, when I realized what my biggest issue with it is. It's not that it strays from the book or that the elves get more screentime than the dwarves, or even that Alfrid gets any screentime.

It's that the main protagonist, Bilbo Baggins, doesn't clearly accomplish anything by the end of it.

That's not to say that Bilbo doesn't do anything in the movie. He actually does quite a lot. It's just that for as much as he does, none of it really seems to pay off.

His main goal for about the first half of the plot is to save his thirteen dwarf friends by preventing the battle over the treasure that Thorin refuses to share with the Laketown survivors. Bilbo tries to accomplish this by giving the survivors Thorin's prized Arkenstone, which they can use as leverage to get their promised share of treasure from the corrupt dwarf king. It's an ingenious plan (despite Thorin trying to kill him over it), but then a bunch of other armies show up and make it all for nothing. Bilbo's new objective after that becomes to save Thorin and company from an ambush by Azog on Ravenhill during the battle. He does a good job of defying Gandalf's authority and reaching Thorin in time to warn him, but by then it's too late for them to escape from that ambush, so Thorin, Fili, and Kili end up dying anyway.

And then there's Bilbo's overall goal throughout the whole film: to save Thorin from his corruption. He does succeed at that, but Thorin's death soon afterwards makes it kind of a short life lesson, and since the other dwarves already disapproved of his greedy behavior, they don't really learn anything from the hobbit by the end either. What's more, instead of feeling uplifted by Thorin's noble redemption, Bilbo spends the rest of the movie and possibly the rest of his life so traumatized that he can barely even admit Thorin was his friend.

Man, and we say The Lord of the Rings is the darker story.

It's possible, like many issues with The Battle of the Five Armies, that this will be ironed out in the Extended Edition later this year. You can also make the argument that Bilbo's real goal throughout the entire trilogy was to help the dwarves of Erebor reclaim their homeland, which he did, and therefore he wasn't a failure. I heartily agree with that argument, but the third installment doesn't take the time to properly reflect on that and remind us of Bilbo's successes when all is said and done.

...And that's why I think The Battle of the Five Armies needed to establish Ori's journal.

If you read my essay "There's Something About Ori" back in November, you knew I was going to revisit that topic sooner or later after the third movie came out. Not only doesn't the mitten-wearing scribe get the payoff I was hoping to see for him in Battle, but he doesn't even photobomb Bilbo all that much. He does get to stand with Bofur at the front and center of the group when Bilbo says good-bye to the dwarves though, and I'm fairly certain there was a shot of him killing orcs during the company's charge onto the battlefield. It's also been brought to my attention that Ori did in fact draw the sketch of young Bilbo seen in An Unexpected Journey, so at least one speculation in my essay was right.

But I digress. In regards to Bilbo's successes, I think establishing Ori's journal would have done a world of good because it would have reintroduced a very important element of the story: legacy. That's the idea behind Bilbo's book, as well as all of the tales and songs presented in Middle-Earth. They're the means by which their writers pass along lessons and experiences so that future generations can learn from them as well. By informing Bilbo and the audience that one of the dwarves was documenting the quest the whole time, the third movie would have assured that the hobbit's part in that quest would become a major part of Erebor's history. Also, since Ori wrote that tale, we could assume that it would present Bilbo in a positive light and as a good role model.

Just think back to the company's prison-break from Mirkwood in The Desolation of Smaug. Right before Bilbo shows up with the keys, we see Ori very gloomily ask his brother, "We're never gonna reach the mountain, are we?" After Bilbo arrives and starts freeing the dwarves from their cells, we see Ori again, looking completely awestruck by him.

Wouldn't it be a great payoff to have Ori approach Bilbo, perhaps after Thorin's funeral in the Extended Edition, and tell him that every dwarf in Erebor who reads about its reclamation will know it was all thanks to a humble but decent hobbit? It might also be a nice touch if he mentions his notes including how that humble, decent hobbit made the fallen King Under the Mountain noble again. And just for continuity's sake, I would have Ori first break the ice by awkwardly giving Bilbo that portrait sketch.

Alas, like most of my recent Hobbit ramblings, whether or not something like this will happen remains to be seen. I don't know how much hype there's been for the last two Extended Editions, but I suspect the third one is going to stir up a heck of a lot more buzz. It might even stir up enough to rival the third film's theatrical release, at least among fans. And who can blame us? To me, the issue of Bilbo's undermined accomplishments at the end of The Battle of the Five Armies is the ultimate proof that we didn't get a whole movie last December.

And if by change the Extended Edition features a scene of Bilbo kicking Alfrid in the shin, I'll count that as another success.

The Line of Thorin Would Not Be So Easily Cut

Ever since Peter Jackson announced last month that the Extended Edition of The Hobbit: The Battle of the Five Armies was set to be thirty minutes longer, the Internet has been buzzing with predictions. We've all heard tidbits from the writers and cast about things we might expect to see, such as Radagast giving his staff to Gandalf and Bilbo having a talk with Bofur before sneaking out of Erebor, but a lot of hints at other bonus scenes can be found right in the film's promos. Even the two main trailers feature a considerable chunk of material that didn't make it into the final cut.

Looking at some of that material, fans can gather evidence and piece together a few potential scenes.

The scene I want to piece together today centers around Thorin Oakenshield. For as much as the King Under the Mountain gets rebuked in the official trailer, he does get one thing to say for himself: "Everything I did, I did for them." Since he's most likely referring to his nephews Fili and Kili, I think I know exactly what the context of that line is.

First of all, Thorin isn't wearing any of his kingly attire in the shot where he says it. This means that the scene either takes place before Fili, Kili, Bofur, and Oin arrive at Erebor or after Thorin overcomes his "Dragon Sickness" and decides to join the battle for the climax. He doesn't seem to be wearing any armor, so the first theory is probably the case.

Second of all, the trailer shows a shot right before that where Thorin appears to be standing among Erebor's treasure hoard without his crown on. If memory serves me correctly, I don't think that's a scenario we ever saw in the theatrical cut. Since he doubtfully would have gone back to the treasure after casting away his crown, that shot most likely takes place before the four dwarves in Laketown arrive at the mountain. Therefore, the shot where Thorin says his line probably occurs around that same time.

I found it a bit jarring in the theatrical cut when Fili, Kili, Bofur, and Oin arrive at Erebor and Bilbo just runs up to them saying, "FYI, Thorin's a totally different person now." It's understandable that this is how those characters would be informed of Thorin's transformation, but it's also how the audience is informed of it. No more gradually watching his character spiral downward -- he's just completely corrupt now. Since Bilbo mentions that Thorin has been counting the treasure in the mountain for days, we can assume that a scene of that downfall was originally included in the film and might return in the Extended Edition.

So how will it occur?

Well, let's look at Thorin's introduction in The Battle of the Five Armies. As Bilbo and the dwarves watch Smaug attack Laketown in the prologue, we see Nori trying to console his brother Ori. After that, we see Gloin looking dreadful and Bombur looking horrified. I always interpreted that as Gloin and Bombur realizing that their brothers, Oin and Bofur, are still in Laketown and caught in the middle of the carnage. Given that, I see Thorin's reaction, standing away from the group with his back to Laketown, as him realizing that Fili and Kili are also caught in the attack and not being able to watch.

It's likely that the Company's next scene in the Extended Edition will be a new one where they discuss their concern for the dwarves left in Laketown. Since Thorin isn't the most optimistic dwarf, he'll probably be convinced that Fili and Kili didn't survive Smaug's attack. That will prompt him to dismally say his line, "Everything I did, I did for them."

You can imagine what a horrible state of mind that would leave him in. He thinks his nephews are dead. The whole reason he set out to reclaim Erebor was to build a better future for them, and now the whole quest has been for nothing and he no longer has a purpose. And it's pretty much all his fault that Fili and Kili were left behind in Laketown to begin with. Adding the fact that all of his loyal followers are now mourning over two other dwarves that he left behind, it's a wonder Thorin didn't jump right off that cliff he was standing on at the start of the film.

It's pretty easy to guess where things might go from there. Thorin will probably wander away from the others in his depression, come across the treasure hoard, and literally lose himself in it. As we see in the theatrical cut, he gets so lost in it that when Fili, Kili, Bofur, and Oin turn up alive in Erebor, he barely even cares. The only thing he wants to do is show off all of his new treasure to them.

Let me just state for the record how much I hate the concept of "Dragon Sickness." It seems to be presented, at least in the movies, as a mental disorder caused by something in Erebor's gold that descendants of the dwarf king Durin are especially susceptible to. Being corrupted by greed has nothing to do with who those descendants are as people; they have a certain genotype, so they're going to catch that disorder from the contaminated gold. It's the same problem people have with the Midi-chlorians from Star Wars -- it reduces what should be a character trait to a condition.

Having Thorin succumb to "Dragon Sickness" because of his grief over his nephews, however, would fix that. He wouldn't have fallen to temptation because of his bloodline. He would have fallen to it because he lost hope and momentarily lost the will to resist it. That would have everything to do with who he is as a person. It would even make us wonder if he might have endured had Fili and Kili been with him the whole time.

That's about the only extra screentime I see Thorin needing in the Extended Edition (aside from his funeral). I'm very much in the camp that the bulk of that bonus footage should go to the supporting dwarves and characters like Beorn who got seriously shortchanged in this adaptation. We'll probably get more news about the Extended Edition closer to its release, but in the meantime, we'll just have to keep wandering the glorious halls of Tumblr and Twitter while counting the piles of rumors sparkling around us...

Thoughts on Alfrid

Now that we've had time to absorb The Hobbit: The Battle of the Five Armies, I'd like to discuss one particular element of the film today. The character Alfrid (played by Ryan Gage) has had a largely negative reception from viewers, being seen by many as an irritating and pointless addition to the story. Being invented solely for the movies and having a strong resemblance to the character Grima Wormtongue from The Lord of the Rings have never helped his case. It's tough to disagree with the complaints about him in the latest Hobbit movie, but perhaps fans, like the survivors of Laketown, shouldn't be too quick to dispose of him.

I actually found Alfrid really interesting in The Desolation of Smaug. Even in the theatrical cut where a lot of his scenes are omitted, you can tell he has his own agenda. There's something about the way he speaks to the Master of Laketown, watches the other man's reactions, and behaves when the Master isn't looking that suggests he hates the disgusting windbag and is just using him as a puppet to control the town. It's a real testament to Gage's subtlety as an actor.

You would think then that the Master's death at the start of The Battle of the Five Armies would allow Alfrid to step out of the shadows and shine as a character. Instead, the film reduces him to a string of punchlines until he scurries off. He doesn't learn anything, he doesn't oppose the heroes, he just reminds us that he's a jerk and runs off in a dress. Why make a point to spare him from Smaug and the other townspeople if the plot isn't going to make use of his survival?

Granted, this might be smoothed out in the Extended Edition next November. That's a long time from now though, and since I've got this cemented in my head, here's my personal take on what the movie could have done with the character:

After falling out of favor with the townspeople, Alfrid starts contemplating how to win back their approval while grudgingly following Bard's orders in the meantime. He eavesdrops on the meeting where Bilbo gives the Arkenstone to Bard and Thranduil, then just like in the movie, Gandalf forces him to look after the hobbit. This of course ends with Bilbo promptly escaping from Alfrid, which makes the man look even worse and gives him a personal reason to resent Mr. Baggins.

Later, when Bard reveals to Thorin that he has the Arkenstone and Bilbo prepares to explain his role in it, Alfrid steps forward from the crowd. He informs Thorin of Bilbo's actions and describes them in the most dastardly way possible. This feeds Thorin's paranoia to the point that when Bilbo explains himself truthfully, the dwarf king refuses to believe him. Bard angrily asks Alfrid what he's up to, and Alfrid explains that exposing a traitor among Oakenshield's company will make the dwarves violently turn on each other, thus removing the need for a battle.

That's Alfrid's plan to win back the townspeople's approval -- to be the one who got them the gold and prevented war. His triumph is short-lived though, as Gandalf intervenes to save Bilbo and then the orc army arrives gung-ho for a fight anyway. No longer seeing a future for himself among the survivors of Laketown, Alfrid lies low during the battle and flees with his stolen gold at the first opportunity.

It's possible that something along those lines could happen in the Extended Edition. Philippa Boyens said in the commentary for The Desolation of Smaug that Alfrid's character is supposed to "blossom" in the third film, which doesn't seem to have happened yet. Some may cringe at the thought of him getting even more screentime, but as we saw with Beorn's introduction in the last film, sometimes material in a theatrical cut gets removed from the Extended Edition to make way for a better alternative.

And just for the heck of it, here's a crazy fan theory to walk away with: maybe in the movies, Alfrid is Grima Wormtongue's father.

They look, sound, and act a lot alike, right? Wormtongue has a vastly different appearance from the other Rohan natives, and sixty years do pass between the two film trilogies. Perhaps after slipping away from the battle, Alfrid found his way to Rohan, changed his name to Galmod for good measure, and found a woman stupid enough to marry him. Having a ton of cash on him probably helped in that department. The end result was Grima, who apparently followed his father's example and attached himself to two powerful figures.

And as for Grima's creepy habits with women...well, he probably overheard a few arguments between his parents about whose dress from Laketown that was in the closet.

The Hobbit: The Long and Short of It

It's fairly safe to say that the latest Hobbit movie, The Battle of the Five Armies, is a polarizing film. It seems like for every viewer who loves it, there's one who detests it. The US stock market looks steady and consistent compared to the ratings on this movie's IMDb user reviews. That's nothing new for Peter Jackson's prequel trilogy, but one thing that most of the reviews for this film appear to agree on is that it feels way too trimmed down and even incomplete.

I just got back from seeing the movie myself, and while I of course loved it...I do kind of have to agree with that complaint. I don't know why The Battle of the Five Armies ended up being so much shorter than the other Hobbit films, but I think its 144-minute run time suffocates it a bit. A lot of storylines and characters don't get the closure that they need or deserve, including a few that don't come back in Lord of the Rings. The movie is so conspicuously edited down that even before its premiere, Peter Jackson announced that 30 minutes of footage would be restored to the film's Extended Edition.

This brings me to my topic: the Extended Editions. Releasing these versions in their elegant, book-like cases with disc upon disc of special features has been a tradition since the first Lord of the Rings movie, and while they can be tougher to view in one sitting than their theatrical counterparts, they are much more in-depth and truer to Tolkien's source material. It's no surprise that the book fans tend to prefer them.


It should be noted though that their bonus scenes are usually just that -- bonuses. They enrich the movies but aren't necessarily required in the story. The only bonus scene from the Lord of the Rings Extended Editions that I would call necessary is Saruman's death in The Return of the King, as it finally gives a proper send-off to the most prevalent villain from the first two films. Other than that, the Rings Extended Editions don't have to prop up the theatrical ones too much.

The Extended Editions for The Hobbit have been a slightly different matter. Sure, An Unexpected Journey was satisfying enough even without that 13 extra minutes of fun sprinkled onto it, but the 25 minutes added to The Desolation of Smaug practically gave us a different film. Entire characters with entire subplots were added, sporadic character decisions were explained, and seemingly pointless characters were suddenly given reason to be there. It's the biggest skyrocket in quality that I've seen from an alternate version since the Assembly Cut of Alien 3.

The obvious question then is why so much of that material was cut. The commentary by Peter Jackson and Screenwriter Philippa Boyens seems to point the finger at pacing issues, and while that likely was part of it, I think the answer can be hit a little more on the nose. The reason was probably box office reports.

One of the biggest criticisms of An Unexpected Journey was how slow and meandering a lot of people found it to be. Since its earnings also reflected a drop in viewer interest from Lord of the Rings, the studio likely pushed the filmmakers to shorten the next film in an effort to restore those numbers. Thus we got the theatrical version of The Desolation of Smaug...which actually earned even less money.

Luckily, DVD's don't have to worry so much about pacing, so a lot of that cut material returned in the Extended Edition. You can still argue that most of the bonus footage isn't necessary to the plot, though it does make for a much clearer and less rushed product.

And then there's The Battle of the Five Armies. My theory again is that the studio panicked over the previous film's drop in revenue and (still feeling that brevity was the way to go) pressured the filmmakers to make the third one even shorter. The problem is that while skimping on closure can work in Part 1 and Part 2 of a trilogy, it doesn't work in Part 3. There are no more parts after that to save the closure for.

That's part of why The Return of the King's Extended Edition ended up being an hour longer. Too many subplots, albeit minor ones, didn't have endings in the theatrical cut. Yes, I just said that The Return of the King didn't have enough endings in it. Not so many people objected to those loose ends though because The Return of the King was by far the longest installment in the series. The filmmakers made it as long and as sufficient as they possibly could for a theatrical release and eventually just had to stop.

The Battle of the Five Armies, on the other hand, is by far the shortest installment in the series. What's more, it was made that short for reasons beyond the filmmakers' control. Why would they announce anything about the Extended Edition so early if they were happy with the film they put in theaters?

This leads me to a belief that I think a lot of fans have had for a while: that the theater is not the right venue for these movies. Jackson and his crew have to cater to that venue first since it's where most of their budget money is made back, but those watered-down versions of their films only play for a month or so. Then they can release DVD's of the original longer versions, which will be around forever. I think that hardcore Middle Earth fans will likely look back on the Hobbit and the Lord of the Rings trilogies not as films that were followed by Extended Editions, but as films that were preceded by condensed editions. 

And no, The Battle of the Five Armies hasn't had a scene of Ori showing Bilbo his journal yet. That just gives me something else to hope for next November.

There's Something About Ori

It's no news to Hobbit fans that the Extended Edition of The Desolation of Smaug came out a few weeks ago with 25 minutes of bonus scenes added to the film. I enjoyed those scenes as much as the next fan, but watching that version brought a rather amusing and puzzling trend to my attention. What makes that trend puzzling is that it centers around the character Ori.

For anyone not familiar with The Hobbit, Ori is one of thirteen dwarves that the hero Bilbo Baggins joins on a quest to reclaim their kingdom from a dragon. Even though Ori appears all throughout the book, he has no real personality to speak of and never gets a single line of dialogue. He's basically just there to be the thirteenth dwarf. His character is much more fleshed out and talkative in the movies, yet he still remains something of a featured extra.

But have you ever noticed how often he's right next to Bilbo?

I'm not talking about scenes where the two of them actually interact, either. I'm talking about scenes where Bilbo and the dwarves are just standing around, running around, wandering around, or doing anything else around; scenes where the placement of the characters is meant to be random. There are so many times where Ori is either directly beside, behind, or in front of Bilbo. Even in a lot of shots where Bilbo is the main focus, Ori will be the most prominently visible other character.

 

Okay, that last one doesn't count. I just think it's a funny picture.

But why does this keep happening? Why does this seemingly unimportant character keep popping up so close to the main protagonist? Is it just a coincidence? Are the filmmakers doing it on purpose, or aren't they even aware of it?

If they aren't aware of it, I have two theories:

         1. It really is just a coincidence.

         2. They're doing it subconsciously.

A bit of background for Theory #2 -- The actor who plays Ori is named Adam Brown, and when he first auditioned for The Hobbit, he actually tried out for the role of Bilbo. He wasn't quite what they were looking for, but the screenwriters loved his audition so much that they wrote Ori's characteristics based on Brown's personality for him specifically to play. Since Brown had a lot of Bilbo-like qualities to begin with, it's no surprise that the film version of Ori wound up with a lot of those qualities too.

Is it possible that in the backs of their minds, the filmmakers still saw Adam Brown and Martin Freeman as the same character, and thus kept seeing Ori as the most natural choice for someone to frame with Bilbo?

If the filmmakers are aware of the trend, I have a few other theories:


         3. They're doing it as an in-joke to the fact that Adam Brown auditioned for Bilbo.

         4. They're doing it because Ori is the smallest and least distracting-looking dwarf.

         5. They're doing it to hint at how protective the other dwarves are.

See, most of the dwarves are well aware of how dangerous their quest is -- except for Ori. He's the kid who signed up with no clue of what he was getting into, much like Bilbo did. Since the two of them are the weakest and least experienced members of the group, it would make sense for the others to lump them together. That would make keeping tabs on both of them easier.

It's also possible that as the journey goes on and becomes more dangerous, this would start happening more often. That could be why Ori and Bilbo are seen together far more in The Desolation of Smaug than in An Unexpected Journey.

And then there's the crazy theory:

         6. The filmmakers are trying to subliminally convey that Bilbo and Ori have a lot in common.

Think about it. The movies could be gradually conditioning us to associate Ori with Bilbo and we don't even know it! If in some bizarre universe this really is the case, then why do it? Did the filmmakers feel bad that they couldn't give Adam Brown a bigger subplot so they decided to showcase his character more covertly? Or better yet, maybe it could be some very subtle foreshadowing of things to come in the next movie, The Battle of the Five Armies.

Probably the most notable aspect of Ori in the films is that he's a scribe. His job on the quest is to document everything in a journal so that future generations can someday read about his group's accomplishments. The only problem is that the films still have yet to clearly introduce his journal. The most we've seen of it so far are a few shots of him handling it in Bilbo's house, and one of those shots features him (of course) in the background behind Bilbo.

That instance really lends to the idea that the filmmakers are trying to subtly draw a connection between the two characters. It happens when the wizard Gandalf tells Bilbo, "All good stories deserve embellishment. You'll have a tale or two to tell of your own when you come back." Look quickly, and you can spy Ori behind the hobbit, writing in his journal; he's in the process of telling his own "tale or two."

It's also worth noting that Ori tends to play second fiddle to another dwarf, Bofur, in scenes where the latter interacts with Bilbo. In An Unexpected Journey, Bilbo's rant to Gandalf about what the dwarves have done to his house is book-ended by an exchange with Bofur and an exchange with Ori. Later, when Bilbo nearly falls off of a cliff, Ori assists Bofur in a rescue attempt.

In The Desolation of Smaug, Bofur, Bilbo, and Ori are the first three to approach the enchanted river in Mirkwood. When it becomes apparent that Bilbo will have to cross the river first, he looks to Bofur and Ori for confirmation.

In the scene where Bilbo frees the dwarves from an elf prison, Bofur and Ori are the only two characters who speak before the hobbit arrives. Lastly, when the group reaches their destination without Bofur and sends Bilbo in to face the dragon alone, Ori is the first to voice concern for the hobbit -- a job that Bofur usually has covered.

So what's my point in bringing this up? Well, Bofur has one of the closer relationships with Bilbo among the dwarves, and having Ori as the third wheel in that relationship seems to suggest that the little scribe has a similar fondness for Mr. Baggins. Since Bofur is currently not among the group and it's allegedly been hinted that Ori and Bilbo have a lot in common, perhaps the two will have a moment to bond with each other in the next movie. And perhaps it will be over Ori's journal.

We see in the very beginning of An Unexpected Journey that Bilbo eventually decides to write his own book about the quest. We also see him dig up an old sketch of his younger self while preparing to write his book. I can easily imagine a scene in the third film where Ori shows Bilbo his journal and unknowingly plants the seed of inspiration for our hero to become a writer too. Given how dark and dire The Battle of the Five Armies seems to be from the trailers, a warmer and more innocent scene like that might be greatly welcome.

As for the old sketch of Bilbo, I'm not the first person to speculate that Ori drew it for him.


But at the end of the day, that's all any of this is: speculation. Come December 17th, I might look back on this essay and think, "Wow. I was an insane person three weeks ago." That's the fun of watching a story play out over multiple installments, though. It gets the creative wheels in your head turning.

In all likelihood, regardless of why he's there, Ori will probably remain off to the side and in the background throughout The Battle of the Five Armies. I see potential for his character and an opportunity to show it, but that doesn't change the fact that his character is a peripheral one that the film might not have time for. Who knows? Maybe he stands a better chance of getting the spotlight in the next Extended Edition. I have hope, even if it is, as they say, just a fool's hope.